Han Solo Adventures?
Maybe a movie set between attack of the clones and revenge of the sith. Something based off of Outbound Flight? I would love to see Thrawn in a movie.
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Han Solo Adventures?
Maybe a movie set between attack of the clones and revenge of the sith. Something based off of Outbound Flight? I would love to see Thrawn in a movie.
Han Solo Adventures?
Maybe a movie set between attack of the clones and revenge of the sith. Something based off of Outbound Flight? I would love to see Thrawn in a movie.
I never said anything about sequel.
Well it's called the Sequel trilogy thread.....
I've seen other posts not related to sequels.
I've seen other posts not related to sequels.
Take The Old Republic route: Whole new cast of characters. Characters from the past six films should only get mentions, but the focus on new characters would be better, and to see where Luke's new jedi order went if they don't disregard that part of EU.
You could have it so that in a flashback at the beginning of the film, Luke could possibly be on an expedition to explore an ancient Jedi temple with some potential students. During some sort of cave in, he could lose half of them before escaping. Teaching him a lesson, that certain histories are better off forgotten and not dug up.
Those lost students could then possibly be revealed as the 'big bads'. Having fallen into an ancient Sith archive or something to that effect.
EDIT:
So the first film intro would amount to something like...
...an opening shot of the stars of course, before panning down to an orbiting shot of an unknown planet, the camera slowly cuts closer and closer to the surface, until begins moving through jungles and ancient temples, before finally reaching two men walking through an enormous military encampment.
They are discussing the mundane tasks that lie ahead with one man having just arrived, revealing that this planet is in fact Endor and that they are what is left of the Rebellion that ended the Palpatine dictatorship. That one man is revealed to be that of Han Solo, a reformed smuggler, now a high ranking official within this rag tag militia. The other is a moderately new recruit, the two clearly share a kind of brotherly admiration for one another as they tease one another about various things.
Their laughter is cut short, by a sudden attack from unknown assailants. The camp is obliterated within seconds, Ewok villages are burned to the ground, no rebel prisoners are taken. Few evacuation ships remain as Han manages to fend off what can only be made out as shadows, it is as if the enemy itself is invisible. Han is mortally wounded, grabs the young rookie by the scruff of the neck and pleads with him to go to his wife, Admiral Leia to inform him of this attack, believing himself to responsible as the enemy may have followed him here. He entrusts the rookie with a holo-recording as well. The rookie grabs him by the hand and assures him that he will tell his wife how much he loved her, with his last breath, he insists there is no need, she knows.
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Or, we could begin with the flashback I had mentioned with some kind of sub-title akin too:
Twenty Years after the defeat of the Empire.
As we see a number of cloaked figures entering an ancient temple, revealed to be a number of young students, followed by their teacher, revealed to be an aged Luke Skywalker. They are exploring ancient Jedi structures in the hopes of finding a place to found their New Order, a place they can remain safe and separate from the rest of the galaxy.
As they descend further down into ancient cavernous halls, they suddenly encounter a series of sophisticated booby traps, which causes the cave to become extremely unstable. Half of the expedition suddenly finds themselves falling through the floor itself, into a seemingly endless darkness. Luke reaches out in anguish, clinging to one of the students with the force, but he struggles to keep them within his reach, a look of shear horror cuts through his stern visage, as he drops them suddenly into the darkness.
He begins scrambling backwards, shouting for the students to retreat. As the students begin bombarding him with questions, he remains somewhat quiet, meditating once they have reached a considerable distance from the site.
''Why are we fleeing master?!!!''
''What is wrong?!!!''
''How could you have let her go like that?!!!''
Luke turns, almost menacingly towards the student who asked him the final question, he looks him dead in the eyes and states.
''I did not let her go. She was pulled from me. We must leave this world, quickly, if we are to survive.''
This could mean that in Luke's hope to discover a new path for the Jedi, he instead uncovers some ancient evil of some sort, perhaps even one of the Jedi's oldest enemies of all. Which then seduces his lost students into the dark arts, before using them as tools to enact it's revenge/tasks/destruction of the galaxy or what have you.
Read some of their reasons, though, JJ Abrams in particular. JJ Abrams is a fan of Star Wars and wants to enjoy the movie as a fan. Not everyone wants to know how the sausage is made.
Personally, I'd probably have that same feeling (though I'd write it in a heartbeat). Directing Episode 7, after knowing how disappointed people were in every major Star Wars release post-1983, would be incredibly intimidating.
I'm with you up until "what's the point?" Opinions vary on that, and I think you're reading too much into it. Not to mention reading into it what you want to be reading into it.
You may very well be right. I'm just saying, I don't want anyone to think that's gospel truth or anything.
It's pretty obvious that it is most likely the truth.
Creatively speaking, it's a bad idea. Culturally speaking, it's a bad idea. In regards to someone's career, it's a bad idea.
Which is why every single high profile director they've approached, has said ''No''.
I don't think it's a bad idea.
I hold the original trilogy in high regard, but not some sort of dogmatic "can't touch this" regard.
I think this thread has shown that there are still stories that can be told, and the story ideas we've come up with so far are really interesting to me. If I was offered the chance to write them, I'd jump at it. I think they're good and I think they'd be well received.
Expectations will be tempered going into this movie. People know that the prequels sucked. They'll be cautious with this one, which gives the creative team both less pressure and more pressure -- and that's where the intimidation factor comes in.
Is this a franchise that demands a sequel trilogy? No, but very few films demand a sequel. You could argue that the original Star Wars didn't demand a sequel from a creative standpoint, regardless of whatever other ideas Lucas still had and wanted to tell. It had a beginning, middle, and an end, and it could've done just fine as a stand alone film. Nonetheless, a sequel came along and blew people away.
I say all that, in a very rambly fashion, to say that I think a sequel trilogy will ultimately be good for Star Wars. Disney isn't filled with fools, and they know what they're doing. If the film is successful financially and well-received, I wouldn't be surprised if a lot of those directors end up regretting their decision.
Plus, anything better than the prequels is going to be labeled the "rebirth of Star Wars." That's a guarantee just based on how the media operates.